The DR-44WLB revolutionises handheld recorders with its Wi-Fi feature. A free app for iOS or Android devices provides control, file transfer, and audio streaming to your smartphone or tablet computer. Start recording while on stage or from anywhere in the room. Set trim levels, check meters and control the transport. At the end of a performance, transfer recordings to your smartphone and instantly upload them to SoundCloud or Facebook, or even e-mail directly to fans.
The DR-44WLB has a pair of high-quality stereo condenser microphones built from high-performance components and arranged in XY pattern. These mics can handle high sound pressure levels without distortion. Two locking XLR inputs for external mics or sources are also available.With four independent recording tracks, built-in mixer with reverb effect plus a bounce feature, the DR-44WLB offers the ability to create true multitrack recordings. Or record two tracks in different formats (WAV/MP3) or with different level settings.
TASCAM has once again revolutionized handheld recording! The DR-44WLB creates its own Wi-Fi network, and a free dedicated app can be used for remote operation without touching the unit. Since the Wi-Fi transmission range is about 20 metres, this feature can be used with the recorder in places that are normally out of reach. Not only does the app allow recording to be started and stopped, it can also be used to check and adjust input levels from an iOS or Android device. Everything related to recording can be done by Wi-Fi.
In addition, audio can be checked by Wi-Fi after recording. The audio quality can be checked through headphones connected to a smartphone. With operation capabilities and flexibility that exceeds infrared remotes – and reliability that approaches that of wired remotes – this handheld recorder allows freedom of placement that far surpasses that of previous models.
Starting with firmware version 2.0 it is also possible to connect via an existing router or access point. Advantages are that (1) you can use other web services like e-mail or sharing portals at the same time with your mobile device, and (2) Wi-Fi range thus control range might be larger, depending on the router capabilities. A direct connection, in contrast, is ideal when there is no Wi-Fi available or you don't have permission to use it.
Note: Checking audio via Wi-Fi is intended for use after recording.
- Choose which type of Wi-Fi connection to use: Simple direct connection (no router necessary) or connection via an existing Wi-Fi network (local router or access point)
- Remote control using the free DR CONTROL app (iOS/Android)
- Check recorded audio using wireless playback
Two cardioid mic capsules are arranged so that their diaphragms overlap in the same axis. This X-Y configuration provides a true stereo image. The microphone capsules and input circuitry are designed to perform without distortion in environments with high sound pressure levels – such as live concerts and recording close to a sound source.In addition, a newly-designed shock mount absorbs vibrations effectively - even when mounted on a digital SLR camera.
- Cardioid condenser mics in an X-Y configuration for impeccable stereo recordings
- Designed to handle high sound pressures of up to 132 dB
- Shock mount structure reduces physical noise
- Dual-level recording function helps avoid overloads
he XLR/TRS external input jacks can be used to record the outputs of a PA console or external mics while recording with the built-in mics – recording four tracks (two stereo tracks) simultaneously. Set the recorder to capture four mono, one stereo and two mono, or two stereo tracks according to your recording needs. Since this unit can also provide +48V phantom power, users can also connect their favorite condenser mics.Moreover, this unit supports +4dBu input, which is necessary to interface with professional-level equipment
- XLR/TRS inputs that support +4dBu and +48V
- Low noise realized through the use of a PGA and high-performance audio codec
- Four-track recording is easy using the external inputs for mics or other devices
The DR-44WLB is also a powerful tool for songwriters. By selecting MTR mode, the user can use the DR-44WLB as a multitrack recorder to overdub one track at a time. With functionality that approaches that of a dedicated MTR, it is possible to produce studio-quality music files using just one DR-44WLB. In addition, the reverb effect can be used to sweeten recordings.
- MTR mode enables music production similar to using a dedicated multitrack recorder
- Reverb gives vocal and instrumental performances a pleasing sense of space
The benefits of Wi-Fi are not limited to recording. Audio files can be transmitted via Wi-Fi to smartphones and computers. Files can also be uploaded to SoundCloud using a dedicated application. SoundCloud is tightly linked with other social networking services. For example, if a recording is shared to Facebook, it will appear on the user's timeline. By uploading a live recording immediately after performance, audience members could listen to the concert again on their way home.Note: An Internet connection is necessary to upload files to the Internet from a smartphone.
- Dual-format recording function allows simultaneous recording of both WAV and MP3 files
- Share audio files from SoundCloud to other social networking services
- Transfer files to computers wirelessly
Even though the DR-44WLB is a professional recording device, it also has numerous automatic functions that make capturing high-quality recordings easy for anyone. In addition to automatic recording functions, the unit also has functions that simplify file management. Users can create high-quality recordings without complicated operations.
- Automatic level optimization functions (peak reduction and limiter)
- Automatic track incrementation functions (new file creation) can be set according to the application
- Automatic recording function that starts recording when a preset audio input level is detected
- Automatic mark function that adds marks according to set conditions
- Automatic division function that divides files at pre-set marks (V1.10)
Over-level peaks can be marked automatically
The Peak Mark function automatically places a mark two seconds before a detected peak (PEAK LED) during recording, which is useful for post-recording confirmation. When there are no problems found after confirmation, the mark can be deleted. In the BWF format (in the same way as with other types of marks) the peak mark can be utilized in corresponding DAWs. To avoid multiple marks for the same overload event, new marks are only set 10 seconds after the previous peak mark.
Recording settings and GPS information can be saved with BWF files
The XRI (eXtended Recording Information) feature, that can be used with BWF format recordings, stores the recording settings after each recording and allows the user to identify the recorder as well as the settings used for a certain recording. In addition, a smartphone’s GPS information can be embedded while connected to the recorder via Wi-Fi and using the DR CONTROL app. Storing GPS data is useful when working in multiple locations, e.g. when making outdoor sound-gathering recordings. XRI information can be displayed on the main unit, on the DR CONTROL app or on other XRI-compatible models and applications. Protection for important files
The Protect function prevents important recorded files from being mistakenly deleted by operating the main unit. Protection can be switched on or off for each recording file individually.
General
Recording media
- SD card (64 MB – 2 GB)
- SDHC card (4–32 GB)
- SDXC card (64–128 GB)
Recording/playback formats
- BWF: 44.1k/48k/96kHz, 16/24 bit
- WAV: 44.1k/48k/96kHz, 16/24 bit
- MP3: 44.1k/48kHz, 32/64/96/128/192/256/320 Kbit/s
Number of channels
- 4 channels
Recorded files,4-channel mode
- Mono: Up to 4 files
- Stereo: Up to 2 files
- Stereo (1 file) + mono (up to 2 files)
Recorded files, multitrack mode
- Mono: Up to 4 files
Analogue audio inputs and outputs
EXT MIC/LINE IN jack (supporting phantom power supply)
Combo type
- XLR-3-31 (1: GND, 2: HOT, 3: COLD)
- 6.3-mm TRS standard jack (Tip: HOT, Ring: COLD, Sleeve: GND)
When EXT IN switch set to MIC or MIC+PHANTOM
Input impedance
- 2.2 kΩ or more
Reference input level
- –17.3 dBu ±2 dB
Maximum input leve
- l–1.3 dBu ±2 dB
When EXT IN switch set to LINEInput
impedance
- 2.2 kΩ or more
Reference input level
- +4 dBu
Maximum input level
- +20 dBu
Phones/LINE OUT jack
- 3.5-mm stereo mini jack
Output impedance
- 12 Ω
Reference output level
- –14 dBV (at 10 kΩ load)
Maximum output level
- +2 dBV (at 10 kΩ load)
Maximum output power
- 20 mW + 20 mW (at 32 Ω load)
Built-in speaker
- 0.3 W (mono)
Other inputs/outputs
USB port
- Micro-B type
Format
- USB 2.0 HIGH SPEED mass storage class
Audio performance
Frequency response (EXT IN to LINE OUT)
- 20 Hz – 20 kHz +1/−3 dB (44.1 kHz, JEITA)
- 20 Hz – 22 kHz +1/−3 dB (48 kHz, JEITA)
- 20 Hz – 40 kHz +1/−3 dB (96 kHz, JEITA)
Distortion (EXT IN to LINE OUT)
- 0.05% or less (44.1/48/96 kHz, JEITA)
S/N ratio (EXT IN to LINE OUT)
- 92 dB or higher (44.1/48/96 kHz, JEITA)
Note: Measurements based on JEITA CP-2150
Power supply and other specifications
Power supply
- 4 AA batteries (alkaline or NiMH)
- USB bus power from a computer
- Dedicated AC adapter (Tascam PS-P520U; sold separately)
Power consumption
- 2.5W (maximum)
Operating temperature
- 0–40 °C
Approximate battery operation time (continuous operation)
Alkaline batteries (EVOLTA)
2ch WAV, 96 kHz, 24 bit
- 13 hours(Recording with built-in microphone)
2ch WAV, 44.1 kHz, 16 bit
- 16 hours(Recording with built-in microphone)
2ch MP3, 44.1 kHz, 128 Kbit/s
- 14 hours(Recording with built-in microphone)
4ch WAV, 96 kHz, 24 bit
- 13 hours(Recording with built-in microphone + line input)
4ch WAV, 44.1 kHz, 16 bit
- 13.5 hours(Recording with built-in microphone + line input)
4ch MP3, 44.1 kHz, 128 Kbit/s
- 13.5 hours(Recording with built-in microphone + line input)
2ch WAV, 44.1 kHz, 16 bit
- 15.5 hours(Playback using headphones)
2ch MP3, 44.1 kHz, 128 Kbit/s
- 16 hours(Playback using headphones)
NiMH batteries (eneloop)
2ch WAV, 96 kHz, 24 bit
- 10.5 hours(Recording with built-in microphone)
2ch WAV, 44.1 kHz, 16 bit
- 12.5 hours(Recording with built-in microphone)
2ch MP3, 44.1 kHz, 128 Kbit/s
- 10 hours(Recording with built-in microphone)
4ch WAV, 96 kHz, 24 bit
- 10.5 hours(Recording with built-in microphone + line input)
4ch WAV, 44.1 kHz, 16 bit
- 11.5 hours(Recording with built-in microphone + line input)
4ch MP3, 44.1 kHz, 128 Kbit/s
- 11 hours(Recording with built-in microphone + line input)
2ch WAV, 44.1 kHz, 16 bit
- 12.5 hours(Playback using headphones)
2ch MP3, 44.1 kHz, 128 Kbit/s
- 12 hours(Playback using headphones)
Recording: JEITA recording time, Playback: JEITA music playback time
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