THE MIXER THAT CHANGED THE RULES
Portable 18 in / 14 out Digital Mixer with remote wireless control
Qu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.
Our Best-Selling Digital Mixing Platform
Inputs: 16 Mono / 1 Stereo
Expandable to 32 mono / 3 stereo
Mixes: 4 Mono / 4 Stereo / LR
Expandable to 4 Mono / 7 Stereo / LR
Matrix: 2 Stereo
32x32 USB Audio Interface
Comprehensive Channel Processing and FX
Range of Remote Expanders
Suitable for:
Live
Studio
Streaming
A/V Install
Corporate Audio
Houses of WorshipREMOTE CONTROL APPS
Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat.Qu-SB is designed to integrate seaamlessly with the fully-featured Qu-Pad iPad app, providing super-fast, easy access to all settings, including channel processing, meters and RTA views, FX racks, scene management, USB audio control, setup menus and much more.
UNRIVALLED SOUND QUALITY
CAPTURE EVERY DETAIL
Qu has been designed from the ground up to deliver professional sound quality, from input to output.Qu-SB features sixteen AnalogiQ digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage.
The AnalogiQ preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output.
WORLD CLASS PROCESSING & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
RECORD. STREAM. MIX.
Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIOTM or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
EVERYTHING I/O
Qu-SB is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.
QU GIVES YOU MORE
Qu-Drive: Record without a computer
Qu-SB has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
AMM: Automatic Mic Mixer
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.
The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
THE STRONG, SILENT TYPE
Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
GIVE PERFORMERS CONTROL
Qu is fully compatible with our ME Personal Mixing System.The ME system expands available monitor mixes and gives each performer control over their own mix, leaving the engineer free to focus on the main mix.
Inputs
Mic/Line Inputs
Balanced, XLR and 1/4" TRS jack, fully recallable
Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu
Analogue Gain -5 to +60dB, 1dB steps
Maximum Input Level (XLR / TRS) +19dBu / +29dBu
Input Impedance (XLR / TRS) >5kΩ / >10 kΩ
THD+N, Unity gain 0dB 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)
THD+N, Mid gain +30dB 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)
Stereo Line Inputs
ST1, connector Balanced, 1/4" TRS jack, half normalled
Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu / 0dBu
Trim +/-24dB
Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
Input Impedance >7kΩ
Outputs
Mix1-10 and LR Out Balanced, XLR
Output Impedance 75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
Mtx 1-2 Balanced, 1/4" TRS jack
Source (Alt Output / 2Trk Output) Patchable / LR post-fade
Output Impedance 75Ω
Nominal Output +4dBu = 0dB meter reading
Maximum Output Level +22dBu
Residual Output Noise -90 dBu (muted, 20-20kHz)
dSNAKE
Inputs Remote source for CH1-32, ST1, ST2, ST3
Outputs Patchable from Mix1-10, LR, Grp1-8, MTX1-4
Compatible with AudioRacks AR2412, AR84, AB168
Compatible with ME personal mixing system
System
Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
Dynamic Range 112 dB
Frequency Response +0/-0.5dB 20Hz to 20kHz
Headroom +18dB
Internal operating Level 0dBu
dBFS Alignment
+18dBu = 0dBFS (+22dBu at XLR output)
Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing
Meter Signal indication -48dBFS (-26dBu at XLR out)
Meter Type Fast (peak) response
Sampling Rate 48kHz +/-100PPM
ADC, DAC 24-bit Delta-Sigma
Latency 1.2 ms (local XLR in to XLR out) 0.7 ms (local XLR in to AES out)
Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power 100-240V AC, 50/60Hz
Maximum Power Consumption 150W
USB Audio
Qu-Drive USB A
Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable
Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3
Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable
Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
USB Audio Streaming USB B, Core Audio compliant
Send (upstream) 32 channel, WAV, 48kHz, 24-bi
Return (downstream) 32 channel, WAV, 48kHz, 24-bit
Control
SoftKeys 10
Mute Groups 4
DCA Groups 4
Network TCP/IP Ethernet for MIDI and iPad app
Input Processing
Source
CH1-32 Local, dSNAKE, or USB
ST1 Local, dSNAKE, or USB
ST2, ST3 dSNAKE, or USB Stereo
USB Global Source Qu-Drive or USB B Streaming
Stereo Linking
Odd/even input pairs
Parameters linked
EQ, dynamics, insert, delay, assignments, sends
Link options Preamp, polarity, sidechains, fader/mute, pan
Polarity Normal/Reverse
High Pass Filter 12dB/octave 20Hz – 2kHz
Insert Assign FX1-4 into Input channels
Delay Up to 85ms
Gate Self-key Sidechain
Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
Mix Processing
Channel Direct Out to USB Follow Fader, follow Mute (global options)
Source select (global) Post-Preamp, Pre-EQ, Post-EQ, PostDelay
Insert Assign FX into Mix channels
Delay Up to 170ms
GEQ Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain
PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB
Band 1 Selectable LF Shelving (Baxandall), Bell
Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
Bell Width Non-constant Q, variable, 1.5 to 1/9th octave
Compressor Self-key Sidechain
Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Attack / Release 300us – 300ms / 100ms - 2s
Knee Soft/Hard
Types Peak Manual, RMS Manual, SlowOpto, PunchBag
FX
Internal FX 4x RackFX engine, Send>Return or Inserted
Audio Tools
Types Reverbs, Delays, Gated Reverb, ADT, Chorus, Symphonic Chorus, Phaser, Flanger
4 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4- Band PEQ
PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay
Talkback Assignable to any mix, 12dB/oct HPF
Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source
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