Allen & Heath Qu-SB Portable 18-In/14-Out Digital Mixer

S$ 2,128.70
(S$ 2,128.70 excl GST)
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18 In, 14 Out - 32x32 USB recording interface

Key Features:
  • 16 local Mono Mic/Line Inputs (TRS + XLR)
  • Recallable AnaLOGIQTM Preamps
  • 1 Stereo Input (TRS)
  • 12 local Mix Outputs (XLR)
  • 1 Stereo Output (TRS)
  • Expandable up to 32 input, 24 out using dSNAKE AudioRack
  • Up to 11 Monitor Mixes (4 mono + 7 stereo)
  • 4 Stereo Groups (switchable to Mix mode)
  • 4 FX Engines
  • 4 dedicated FX Sends / Returns
  • 4 Mute Groups
  • 4 DCA Groups
  • 32×32 USB Audio Interface
  • Qu-Drive Multitrack Recording / Playback direct to USB device
  • dSNAKETM Remote Audio Port
  • Qu-Pad fully-featured iPad App
  • Qu-You iPhone / Android personal monitoring app
  • Qu-Control customisable iOS app for simple wireless control
  • Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
  • Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
  • Automatic Mic Mixer
  • Channel Ducker on all Inputs
  • ProFactory Mic Presets
  • RackFX Library
  • Built-in Signal Generator
  • RTA with Peak Band indication
  • DAW MIDI Control
  • Compatible with ME Personal Mixing System
  • 19” Rack Mountable with optional rack ears
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  • THE MIXER THAT CHANGED THE RULES
    Portable 18 in / 14 out Digital Mixer with remote wireless control
    Qu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.

    Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.

    Our Best-Selling Digital Mixing Platform
    Inputs: 16 Mono / 1 Stereo
    Expandable to 32 mono / 3 stereo
    Mixes: 4 Mono / 4 Stereo / LR
    Expandable to 4 Mono / 7 Stereo / LR
    Matrix: 2 Stereo
    32x32 USB Audio Interface
    Comprehensive Channel Processing and FX
    Range of Remote Expanders
    Suitable for:
    Live
    Studio
    Streaming
    A/V Install
    Corporate Audio
    Houses of Worship

    REMOTE CONTROL APPS
    Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat.

    Qu-SB is designed to integrate seaamlessly with the fully-featured Qu-Pad iPad app, providing super-fast, easy access to all settings, including channel processing, meters and RTA views, FX racks, scene management, USB audio control, setup menus and much more.

    UNRIVALLED SOUND QUALITY
    CAPTURE EVERY DETAIL
    Qu has been designed from the ground up to deliver professional sound quality, from input to output.

    Qu-SB features sixteen AnalogiQ digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage.

    The AnalogiQ preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.

    The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output.

    WORLD CLASS PROCESSING & FX
    Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.

    Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.

    Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.

    RECORD. STREAM. MIX.
    Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.

    The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIOTM or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.

    Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.

    Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.

    EVERYTHING I/O
    Qu-SB is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.

    But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.

    QU GIVES YOU MORE
    Qu-Drive: Record without a computer
    Qu-SB has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.

    Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.

    On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.

    AMM: Automatic Mic Mixer
    AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.

    Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.

    The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.

    THE STRONG, SILENT TYPE
    Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!

    Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.

    GIVE PERFORMERS CONTROL
    Qu is fully compatible with our ME Personal Mixing System.

    The ME system expands available monitor mixes and gives each performer control over their own mix, leaving the engineer free to focus on the main mix.

  • Inputs
    Mic/Line Inputs
    Balanced, XLR and 1/4" TRS jack, fully recallable

    Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu

    Analogue Gain -5 to +60dB, 1dB steps

    Maximum Input Level (XLR / TRS) +19dBu / +29dBu

    Input Impedance (XLR / TRS) >5kΩ / >10 kΩ

    THD+N, Unity gain 0dB 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz)

    THD+N, Mid gain +30dB 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz)

    Stereo Line Inputs
    ST1, connector Balanced, 1/4" TRS jack, half normalled

    Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu / 0dBu

    Trim +/-24dB

    Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu

    Input Impedance >7kΩ

    Outputs
    Mix1-10 and LR Out Balanced, XLR

    Output Impedance 75Ω

    Nominal Output +4dBu = 0dB meter reading

    Maximum Output Level +22dBu

    Residual Output Noise -90 dBu (muted, 20-20kHz)

    Mtx 1-2 Balanced, 1/4" TRS jack

    Source (Alt Output / 2Trk Output) Patchable / LR post-fade

    Output Impedance 75Ω

    Nominal Output +4dBu = 0dB meter reading

    Maximum Output Level +22dBu

    Residual Output Noise -90 dBu (muted, 20-20kHz)

    dSNAKE

    Inputs Remote source for CH1-32, ST1, ST2, ST3

    Outputs Patchable from Mix1-10, LR, Grp1-8, MTX1-4
    Compatible with AudioRacks AR2412, AR84, AB168
    Compatible with ME personal mixing system

    System
    Measured balanced XLR in to XLR out, 0dB gain, 0dBu input

    Dynamic Range 112 dB

    Frequency Response +0/-0.5dB 20Hz to 20kHz

    Headroom +18dB

    Internal operating Level 0dBu

    dBFS Alignment
    +18dBu = 0dBFS (+22dBu at XLR output)

    Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)

    Meter Peak indication -3dBFS (+19dBu at XLR out), multi-point sensing

    Meter Signal indication -48dBFS (-26dBu at XLR out)

    Meter Type Fast (peak) response

    Sampling Rate 48kHz +/-100PPM

    ADC, DAC 24-bit Delta-Sigma

    Latency 1.2 ms (local XLR in to XLR out) 0.7 ms (local XLR in to AES out)

    Operating Temperature Range 0 deg C to 35 deg C (32 deg F to 95 deg F)

    Mains Power 100-240V AC, 50/60Hz

    Maximum Power Consumption 150W

    USB Audio
    Qu-Drive USB A

    Stereo Record 2 channel, WAV, 48kHz, 24-bit, patchable

    Stereo Playback 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3

    Multitrack Record 18 channel, WAV, 48kHz, 24-bit, patchable

    Multitrack Playback 18 channel, WAV, 48kHz, 24-bit

    USB Audio Streaming USB B, Core Audio compliant

    Send (upstream) 32 channel, WAV, 48kHz, 24-bi

    Return (downstream) 32 channel, WAV, 48kHz, 24-bit

    Control
    SoftKeys 10

    Mute Groups 4

    DCA Groups 4

    Network TCP/IP Ethernet for MIDI and iPad app

    Input Processing
    Source
    CH1-32 Local, dSNAKE, or USB

    ST1 Local, dSNAKE, or USB

    ST2, ST3 dSNAKE, or USB Stereo

    USB Global Source Qu-Drive or USB B Streaming

    Stereo Linking
    Odd/even input pairs
    Parameters linked

    EQ, dynamics, insert, delay, assignments, sends

    Link options Preamp, polarity, sidechains, fader/mute, pan

    Polarity Normal/Reverse

    High Pass Filter 12dB/octave 20Hz – 2kHz

    Insert Assign FX1-4 into Input channels

    Delay Up to 85ms

    Gate Self-key Sidechain

    Threshold / Depth -72dBu to +18dBu / 0 to 60dB

    Attack / Hold / Release 50us to 300ms / 10ms to 5s / 10ms to 1s

    PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB

    Band 1 Selectable LF Shelving (Baxandall), Bell

    Band 2, Band 3 Bell

    Band 4 Selectable HF Shelving (Baxandall), Bell

    Bell Width Non-constant Q, variable, 1.5 to 1/9th octave

    Compressor Self-key Sidechain

    Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity

    Attack / Release 300us – 300ms / 100ms - 2s

    Knee Soft/Hard

    Types Peak Manual, RMS Manual, SlowOpto, PunchBag

    Mix Processing
    Channel Direct Out to USB Follow Fader, follow Mute (global options)

    Source select (global) Post-Preamp, Pre-EQ, Post-EQ, PostDelay

    Insert Assign FX into Mix channels

    Delay Up to 170ms

    GEQ Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain

    PEQ 4-Band fully parametric, 20-20kHz, +/- 15dB

    Band 1 Selectable LF Shelving (Baxandall), Bell

    Band 2, Band 3 Bell

    Band 4 Selectable HF Shelving (Baxandall), Bell

    Bell Width Non-constant Q, variable, 1.5 to 1/9th octave

    Compressor Self-key Sidechain

    Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity

    Attack / Release 300us – 300ms / 100ms - 2s

    Knee Soft/Hard

    Types Peak Manual, RMS Manual, SlowOpto, PunchBag

    FX
    Internal FX 4x RackFX engine, Send>Return or Inserted

    Audio Tools

    Types Reverbs, Delays, Gated Reverb, ADT, Chorus, Symphonic Chorus, Phaser, Flanger

    4 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4- Band PEQ

    PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay

    Talkback Assignable to any mix, 12dB/oct HPF

    Signal Generator Assignable to any mix, Sine / White/Pink/Band-pass Noise

    RTA 31-Bands 1/3 octave 20-20kHz, follows PAFL source

     

For export (= shipments outside of Singapore) we do not charge GST. In this case, please refer to the prices excl GST.

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