DPA Microphones 4055 Kick Drum Microphone with Holder

S$ 1,238.53
(S$ 1,238.53 excl GST)
Special order! Expected availability: 1-2 weeks Not refundable/exchangeable
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Key Features:
  • Provides Clear & True Kick Drum Sound
  • Flat Frequency Response
  • Durable Build Withstands Live Stage Use
  • Asymmetric Design for Easy Placement
  • Position Inside or Outside Kick Drum
  • Handles up to 164 dB SPL
  • Open Cardioid Pickup Pattern
  • 40 Hz to 18 kHz Frequency Response
  • Includes UA0961 Microphone Holder
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  • This 4055 Kick Drum Microphone has been optimized to pick up the true sound of the kick (bass) drum. This microphone delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. The low frequency response, dynamics and high-level capabilities of this mic are superb and result in a very tight, natural, well-defined sound. Full of highs and lows plus all the mids as well. The 4055 takes the traditional concept of a kick drum mic and turns it on its head - no more pre-tailored sound - now you can take sound design back into your own hands.

    What makes the 4055 stand out from the competition is that it delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. Its low frequency response and dynamics are superb and result in a tight, natural, well-defined sound - the best low-end with detailed mids and highs.

    The 4055 is one of the only kick drum mics that is not sonically pre-tailored to fit a traditional sound in a specific genre. Its performance allows a professional sound designer to create the exact sound s/he is listening for - regardless of the music genre. Want more attack? Slide the 4055 into the bass drum and point it directly at the beater. For a super-low-end sound, place the 4055 at the hole, just on the outside of the front head. Here, the level of sub and lows are represented the most.

    Not only does the position inside or outside the kick drum give you different sounds but working with the angles of the microphone just outside the hole will deliver nuances of the drum sound. No matter what sound preference you have, the 4055 captures the true sound of a kick drum, whether it is used in classic, jazz, rock or any other genre.

    The 4055 is placed in a large, robust housing and there is wind damping foam just in front of the capsule, behind the grille. A specially-designed shock mount also suspends the capsule inside the housing to avoid vibrations from the stage. The shock mount together with the extra wind damping ensures that the 4055 captures only the source.

    The 4055 is easy to position, both inside and outside the drum. Its unique asymmetric design makes it quite easy to place the mic through the drum hole without ripping the front resonator skin.

    The 4055 is not limited to the kick drum. It works equally well on other instruments, such as electric guitar cabinets, bass and horns. Its flat frequency response and ability to bring the uncolored sound to the next level works well on many instrument types.

    In the Box
    1x 4055 Kick Drum Microphone
    1x UA0961 Microphone Holder

  • Directional pattern: Open Cardioid
    Principle of operation: Pressure gradient
    Cartridge type: Pre-polarized condenser
    Frequency response: 20 Hz - 20 kHz
    Effective frequency range ±2 dB, at 20 cm (7.9 in): 40 Hz - 18 kHz with a 6 dB soft boost at 10 kHz
    Sensitivity, nominal, ±2 dB at 1 kHz: 2 mV/Pa; -54 dB re. 1 V/Pa
    Equivalent noise level, A-weighted: Typ. 27 dB(A) re. 20 µPa (max. 29 dB(A))
    Equivalent noise level, ITU-R BS.468-4: Typ. 39 dB (max. 41 dB)
    Distortion, THD 1%: 156dB SPL RMS, 159 dB SPL peak
    Dynamic range: Typ. 132 dB
    Max. SPL, THD 10%: 164 dB SPL peak
    Rated output impedance: 380 Ω
    Minimum load impedance: 2 kΩ
    Cable drive capability: 100 m (328 ft)
    Output balance principle: Impedance balancing with Active Drive
    Common mode rejection ratio (CMRR): > 55 dB
    Power supply (for full performance): P48 (Phantom Power)
    Current consumption: 2.0 mA
    Connector: XLR-3M. Pin 1: shield, Pin 2: signal + phase, Pin 3: - phase
    Color: Matte black
    Weight: 241 g (8.5 oz)
    Microphone diameter: 57 mm (2.24 in)
    Capsule diameter: 17 mm (0.67 in)
    Microphone length: 132 mm (5.19 in)
    Maximum output voltage, RMS: 9.75 V
    Polarity: +V at pin 2 for positive sound pressure
    Temperature range: -40°C to 45°C (-40°F to 113°F)
    Relative humidity (RH): Up to 90%

For export (= shipments outside of Singapore) we do not charge GST. In this case, please refer to the prices excl GST.

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