DIGITAL MIXING RESHAPED
Now in a feature-packed new Chrome Edition, Qu-24 reshapes digital mixing, combining innovative design and exceptional functionality to create a superb professional mixing experience. Bristling with all the features you’d expect from a top of the range digital console and incorporating technologies pioneered on the GLD and iLive digital mixing systems, Qu-24 has the power and pedigree to deliver class-leading audio performance.Qu series features include multitrack recording direct to USB, Automatic Mic Mixing, ProFactory mic presets, plus an ever growing ecosystem of apps, accessories and remote I/O.
Whether you’re switching from analogue or updating your digital desk, it’s time to experience the new digital with Qu-24
Qu Ecosystem
Qu provides much more than just a mixer. Qu is an entire ecosystem with Remote AudioRacks allowing I/O to be placed where it’s needed, ME Personal Mixers expanding monitor mixes and enabling simple, time-saving local control, Qu Apps for complete remote setup and wireless mixing on stage or anywhere else in the venue, ProFactory Mic presets to speed up preparation time and ensure the best sound, plus USB recording and DAW integration for powerful workflow optimisation from one centrepiece device.
AnalogiQTM Preamps
Qu-24 features twenty-four AnalogiQTM digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage, which have been closely allied to the DSP for optimal gain accuracy and audio transparency. The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, and are matched to 24bit digital to analogue converters to deliver the required high quality output. The AnalogiQTM preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
The Mixing Experience
Having massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat. The 800×480, True Colour Touchscreen and its dedicated rotary encoder form the heart of Qu-24’s interface, providing super-fast access to all settings and parameters. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more. Complementing the touchscreen is the SuperStrip – a set of single function physical controls for instant access to gain, HPF, 4 band PEQ, gate, compressor, GEQ and pan. The screen overview also follows the control being turned.
One Channel / One Fader
Qu-24 has a fader per mono input channel and fewer fader layers for simpler, quicker workflow. Some digital mixers don’t offer a fader per physical input, meaning you have to access an additional fader layer to control these channels. This can be confusing and time consuming. Because every mic input is presented on its own fader for fast, easy control, this makes Qu-24 the perfect mixer for first-time converts from analogue to digital and those not comfortable working with several layers of faders.
Total Recall
True digital mixing is about being able to save and recall Scenes (snapshots) at the press of a button. Qu can store up to 100 full Scenes for recall and Channels or Mixes can be made Safe from being overwritten. Qu-24 features 25 motorized ALPS faders, 24 allow instant access to all input channels and masters over 2 layers, and a dedicated master fader dynamically follows the Mix selection. A third User-defined Custom layer is available for ad-hoc strip layout, where any combination of Inputs, FX Sends, FX Returns, DCA’s and Mix masters can be assigned.
ProFactory Mic Presets
Allen & Heath has teamed up with leading microphone manufacturers and top engineers at Audio-Technica, Sennheiser, and Shure to provide EQ Library presets for a large number of popular and industry standard microphones. Presets for vocals, electric guitar, acoustic guitar, drums, brass and woodwind have been painstakingly crafted to offer you the best possible starting point for the source and your microphone of choice. Whether you’re a keen amateur or a seasoned professional, you can get to work quickly and easily, saving valuable time so you can concentrate on EQ’ing the source and room acoustics.
Rack FX
Qu-24’s dynamics and FX algorithms are derived from those used in Allen & Heath’s pro touring consoles. Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units. Qu-24 boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels. Each Stereo FX Return has a dedicated 4 band PEQ.
More Mixes, More Flexibility
GROUPS
Qu-24 provides 2 stereo Groups which can be used as subgroups to the main LR mix for group level and processing, for example to buss-compress an entire drum kit, or to tame multiple lavalier mics with a single graphic EQ. Groups can also be switched to Mix mode to provide additional outputs for monitor mixes.THE MATRIX
Qu-24 adds 2 further stereo Matrix outputs equipped with full processing to the console’s extensive I/O. A Matrix is a ‘mixer within a mixer’, fed from any combination of Group 1-4, Mix 1-10, and main LR. It can be used to provide a broadcast feed, a recording mix, or duplicate the main outputs for delay stacks, fill or zone speakers where independent GEQ and delay is applied.Qu-Drive
Qu-24 has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive. Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1. On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
Automatic Mic Mixer (AMM)
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time. Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly. The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
Mac OS and Windows DAW Integration
Qu-24’s built-in audio interface streams up to 32 selectable tracks to your Mac or PC and returns from the computer can be easily assigned to the Input channels. The interface is class-compliant on Mac OS X making it truly plug ‘n play and will be recognized straight away by any DAW supporting Core Audio, including Logic, Cubase, Reaper, and Pro Tools. An ASIOTM and WDM compatible driver is available for Windows computers. Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Qu apps for greater wireless control
Add the fully-featured Qu-Pad app for iPad to your Qu-24 and you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects to the mixer over Wi-Fi and gives instant access to all live mixing parameters and settings. More info.
Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience. More info.
Qu-Control is a customisable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around. More info.
Apps require the connection of a Wi-Fi router or access point to the mixer’s Network port.
dSNAKE Remote Audio Racks
Qu-24 is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go. If you’re thinking of trading in the copper multicore for a Cat5 digital snake, Qu-24’s built-in dSNAKE port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox. dSNAKE is our proprietary networking solution, boasting a transport latency of only 105us over cable runs of up to 120m / 390’. So if you’re mixing FoH you can place your I/O on the stage and run a single Cat5 cable back to the Qu-24 in the mix position.
ME Personal Mixing System
Qu-24 is fully compatible with our ME Personal Mixing System. Any number of ME-1 personal mixers can be chained from the dSNAKETM port (or from an AR2412 Stagebox if you’ve got one connected to the dSNAKETM port). Each performer can be given tailored control over their own mix, leaving the engineer free to focus on the audience experience.
Find out more about ME Personal Mixing Systems
Digital Mixing Reshaped
Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!
Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
ARMed to the Hilt
Qu-24 is equipped with 5 cores of high efficiency ARM core processing, with dedicated ARM cores running the touchscreen display and surface, USB streaming, Qu-Drive multi-channel USB recording / playback, Ethernet and fader automation. Between them the ARM cores provide state-of-the-art processing, working in parallel to deliver extensive control, instant-on operation, and lightning-fast response.
The mixer’s DSP farm exploits next generation dual core DSPs. The Qu DSP architecture employs varied bit depths, tailored to specific algorithms, with 48 bits on critical EQ functions and a 56 bit accumulator on the mix bus where it really counts, allowing every nuance of the audio to be captured in the final mix.
In the Box
Allen & Heath Qu-24C 30-In/24-Out Digital Mixer (Chrome Edition)Mixer Specifications
Inputs Control
Mic/Line Inputs
Balanced, XLR and 1/4" TRS jack, fully
recallable Faders 100mm motorised
Input Sensitivity (XLR / TRS) -60 to +5dBu / -50 to +15dBu Touch Screen 5" TFT, 800x480 resolution
Analogue Gain -5 to +60dB, 1dB steps SoftKeys 10
Maximum Input Level (XLR /
TRS) +19dBu / +29dBu Mute Groups 4
Input Impedance (XLR / TRS) >5kΩ / >10 kΩ DCA Groups 4
THD+N, Unity gain 0dB
0.0005% -89 dBu (20-20kHz, Direct Out
@0dBu 1kHz) Network TCP/IP Ethernet for MIDI and iPad app
THD+N, Mid gain +30dB
0.001% -83dBu (20-20kHz, Direct Out
@0dBu 1kHz)
Stereo Line Inputs Input Processing
ST1, ST2 connector Balanced, 1/4" TRS jack, half-normalled Source
ST3 connector Unbalanced, stereo 3.5mm Mini Jack CH1-32 Local, dSNAKE, or USB
Input Sensitivity (ST1, ST2 /
ST3) Nominal +4dBu / 0dBu ST1, ST2 Local, dSNAKE, or USB
Trim +/-24dB ST3 Local, dSNAKE, or USB Stereo
Maximum Input Level
(ST1,ST2 / ST3) +22dBu / +18dBu USB Global Source Qu-Drive or USB B Streaming
Input Impedance >7kΩ
Stereo Linking Odd/even input pairs
Outputs Parameters linked
EQ, dynamics, insert, delay,
assignments, sends
Mix1-10 and LR Out Balanced, XLR Link options
Preamp, polarity, sidechains,
fader/mute, pan
Group and Matrix Out Polarity Normal/Reverse
Output Impedance 75Ω High Pass Filter 12dB/octave 20Hz – 2kHz
Nominal Output +4dBu = 0dB meter reading Insert Assign FX1-4 into Input channels
Maximum Output Level +22dBu Delay Up to 85ms
Residual Output Noise -90 dBu (muted, 20-20kHz)
Gate Self-key Sidechain
Stereo Alt Out & 2Trk Out Balanced, 1/4" TRS jack Threshold / Depth -72dBu to +18dBu / 0 to 60dB
Source (Alt Output / 2Trk
Output) Patchable / LR post-fade
Attack / Hold /
Release 50us to 300ms / 10ms to 5s / 10ms to 1s
Output Impedance 75Ω
Nominal Output +4dBu = 0dB meter reading PEQ
4-Band fully parametric, 20-20kHz, +/-
15dB
Maximum Output Level +22dBu Band 1 Selectable LF Shelving (Baxandall), Bell
Residual Output Noise -90 dBu (muted, 20-20kHz) Band 2, Band 3 Bell
Band 4 Selectable HF Shelving (Baxandall), Bell
AES Digital Output 2 channel, 48kHz sampling rate, XLR Bell Width
Non-constant Q, variable, 1.5 to 1/9th
octave
2.5Vpp balanced terminated 110Ω
dSNAKE Compressor Self-key Sidechain
Inputs
Remote source for CH1-32, ST1, ST2,
ST3 Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Outputs
Patchable from Mix1-10, LR, Grp1-8,
MTX1-4 Attack / Release 300us – 300ms / 100ms - 2s
Compatible with AudioRacks AR2412,
AR84, AB168 Knee Soft/Hard
Compatible with ME personal mixing
system Types
Peak Manual, RMS Manual, SlowOpto,
PunchBag
System
Measured balanced XLR in to XLR out,
0dB gain, 0dBu input
Dynamic Range 112 dB Mix Processing
Frequency Response +0/-0.5dB 20Hz to 20kHz
Channel Direct Out
to USB
Follow Fader, follow Mute (global
options)
Headroom +18dB Source select (global)
Post-Preamp, Pre-EQ, Post-EQ, PostDelay
Internal operating Level 0dBu
dBFS Alignment
+18dBu = 0dBFS (+22dBu at XLR
output) Insert Assign FX into Mix channels
Meter Calibration
0dB meter = -18dBFS (+4dBu at XLR
out) Delay Up to 170ms
Meter Peak indication
-3dBFS (+19dBu at XLR out), multi-point
sensing
Qu-24 v1.8 Chrome Technical Datasheet 7 Allen & Heath Ltd
Meter Signal indication -48dBFS (-26dBu at XLR out) GEQ
Constant 1/3 oct, 28 bands 31Hz-16kHz,
+/-12dB Gain
Meter Type Fast (peak) response
PEQ
4-Band fully parametric, 20-20kHz, +/-
15dB
Sampling Rate 48kHz +/-100PPM Band 1 Selectable LF Shelving (Baxandall), Bell
ADC, DAC 24-bit Delta-Sigma Band 2, Band 3 Bell
Latency 1.2 ms (local XLR in to XLR out) Band 4 Selectable HF Shelving (Baxandall), Bell
0.7 ms (local XLR in to AES out) Bell Width
Non-constant Q, variable, 1.5 to 1/9th
octave
Operating Temperature Range 0 deg C to 35 deg C Compressor Self-key Sidechain
(32 deg F to 95 deg F) Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
Mains Power 100-240V AC, 50/60Hz Attack / Release 300us – 300ms / 100ms - 2s
Maximum Power Consumption 120W Knee Soft/Hard
Types
Peak Manual, RMS Manual, SlowOpto,
PunchBag
USB Audio
Qu-Drive USB A FX
Stereo Record
2 channel, WAV, 48kHz, 24-bit,
patchable Internal FX
4x RackFX engine, Send>Return or
Inserted
Stereo Playback
2 channel, WAV, 44.1 or 48kHz, 16 or
24-bit, to ST3 Audio Tools
Multitrack Record
18 channel, WAV, 48kHz, 24-bit,
patchable Types Reverbs, Delays, Gated Reverb, ADT
Multitrack Playback 18 channel, WAV, 48kHz, 24-bit
Chorus, Symphonic Chorus, Phaser,
Flanger
4 dedicated Stereo FX
returns
Fader, Pan, Mute, Routing to Mix/LR, 4-
Band PEQ
USB Audio Streaming USB B, Core Audio compliant
Send (upstream) 32 channel, WAV, 48kHz, 24-bit PAFL
PFL or stereo in-place AFL, 0 to -24dB
Trim, 85ms Delay
Return (downstream) 30 channel, WAV, 48kHz, 24-bit Talkback Assignable to any mix, 12dB/oct HPF
Signal Generator
Assignable to any mix, Sine /
White/Pink/Band-pass Noise
RTA 31-Bands 1/3 octave 20-20kHz, follows
PAFL source
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