Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders

S$ 8,953.21
(S$ 8,953.21 excl GST)
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Key Features:
  • 96kHz FPGA processing
  • 48 Input Channels
  • DEEP Processing ready
  • 33 Faders / 6 Layers
  • 12 Stereo mixes + LR
  • 3 Stereo Matrix
  • 8 Stereo FX Engines + dedicated stereo returns
  • 7” capacitive touchscreen
  • SLink port for remote audio / expansion
  • 64ch I/O Port for audio networking
  • 32×32 USB audio interface
  • SQ-Drive direct recording to USB
  • AES output
  • Chromatic channel metering
  • Integrated LED illumination
  • Dedicated physical controls
  • 16 Assignable SoftKeys
  • 8 Assignable Soft Rotaries
  • Channel LCD displays
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  • 48 channel / 36 bus digital mixer
    SQ-7 is the 33-fader flagship console in the SQ series, powered by Allen & Heath’s revolutionary 96kHz XCVI FPGA engine. Created to excel in demanding scenarios such as AV, corporate events, live productions and houses of worship, SQ-7 offers pristine high-resolution audio quality and an ultra-low latency of

    Powerful Processing
    SQ comes equipped with all the processing you need to craft the perfect mix. Every one of the 48 inputs has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser, and Peak/RMS compressor for control and shaping of levels and transients. Mixes have both a parametric and 28 band graphic EQ along with compressor as standard, all ready to switch in when required. The XCVI core even allows for every compressor in SQ to have its own parallel path, without phase or coherency worries.

    Add-On Plug-Ins Available
    DEEP – Proven on countless world-tours with international artists, the DEEP Processing from our award-winning dLive digital mixing system is now available within your SQ.

    No 3rd party hardware, no added latency, no hassle – just studio-quality processing on every channel.

    RackExtraFX – RackExtra FX Add-Ons expand SQ’s FX Rack with powerful new processors.

    Pick the perfect processing suite, tailored to your specific requirements.

    RackExtra FX
    SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more. Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.

    Expandable up to 48 mics
    SQ has all the onboard I/O you need for standalone operation. Thanks to its SLink intelligent port, SQ can also be expanded up to a total of 48 mic inputs via a family of 96kHz and 48kHz rack and stage box expanders (e.g. AB168, AR2412, AR84 and DX168), making it a flexible, mix ‘n’ match solution for owners of other Allen & Heath digital systems. You can also link your SQ directly to another SQ or even a dLive system.

    The Mixing Experience
    With each new design, the Allen & Heath team strives to get closer to the ultimate mixing experience. SQ’s dashboard is centred around a high-res 7” capacitive touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control. Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the colour strip displays, allowing you to build a mixing environment that mirrors your own workflow. Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.

    Designed for the pro
    We know that the live environment can be tough on gear – that’s why we devised our most punishing regime of testing and retesting yet for SQ. From its 3-tier, all metal chassis to its extruded aluminium light bar, SQ has tremendous strength and rigidity underlying its good looks.

    Dante, Waves, MADI and more
    SQ is the centrepiece of a growing ecosystem of apps, expanders, audio networking, personal mixers and more, allowing you to connect, adapt and expand to your heart’s content. It’s compatible with leading audio networking standards too – add an audio networking card such as Dante, MADI or Waves to SQ’s I/O port and you’re ready to integrate with installed systems, provide a digital FoH / Monitor split and more.

    Advanced AMM
    SQ’s advanced automatic mic mixers (AMM’s) make it a natural choice for mixing conferences, panel talks and TV shows. They’re fully integrated in the mixer too, with no extra latency, so you don’t need to route the audio to an internal DSP rack or an external plugin system. Two fully independent 24 channel AMM’s can be utilised for two zones or combined into a single 48 channel AMM for larger events.

    Flexible multitrack recording
    The integrated SQ-Drive makes it quick and easy to capture a 96kHz multitrack or stereo recording of the show direct to a USB key or drive. No software setup, no soundcard driver issues and no extra laptop to bring to the performance. SQ-Drive is also a smart way to manage walk-in music.

    Also provided is a built-in 32×32 96kHz audio interface for multitrack recording, backing tracks or virtual soundcheck applications. The interface is Core Audio and ASIOTM compliant and comes complete with MIDI and DAW control capabilities.

    SQ Apps
    There are two essential apps for SQ – SQ MixPad for engineers and SQ4You for performers.

    SQ MixPad app is available free on iOS, Android, Windows and macOS platforms, providing offline editing and online wired or wireless control of the main mixing functions.

    SQ4You is a personal mixing app to accompany SQ series mixers, allowing up to 8 performers to control their own monitor mixes from their Android or iOS devices and freeing the audio engineer to focus on the front-of-house sound.

    The Ultimate IEM Mixer
    With no less than 12 stereo mixes, super-low latency, and both parametric and graphic EQ on every mix, SQ is the perfect companion for in-ear monitoring setups. SQ’s airline-friendly compactness and rugged build quality mean there’s no reason to gamble on house monitor consoles again.

    ME Personal Mixing System
    SQ is fully compatible with the ME Personal Mixing System, allowing the performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander.

    In the Box
    Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders
    Power Cord

     

  • Mixer Specifications
    Inputs Mic/Line Inputs Balanced XLR, fully recallable
    Input Sensitivity -60 to +0dBu
    Switchable Pad -20dB
    Analogue Gain 0dB to +60dB, 1dB steps
    Maximum Input Level +30dBu
    Input Impedance >5kΩ
    THD+N, Unity gain 0dB 0.002% -92dBu (20Hz-20kHz, AES Direct Out, @0dBu 1kHz)
    THD+N, Mid gain +30dB 0.003% -91dBu (20Hz-20kHz, AES Direct Out, @-30dBu INPUT 1kHz)
    Phantom Power +48V (+3V / -2V)
    Stereo Line Inputs
    ST1, ST2 connectors Balanced, 1/4" TRS jack
    ST3 connector Unbalanced, stereo 3.5mm Mini Jack
    Input Sensitivity (ST1, ST2 / ST3) Nominal +4dBu ST1, ST2 / 0dBu ST3
    Trim +/-24dB
    Maximum Input Level (ST1,ST2 / ST3) +22dBu / +18dBu
    Input Impedance >7kΩ
    Outputs XLR Outputs Balanced, XLR
    Outputs A and B Balanced 1/4" TRS Jack
    Source Patchable
    Output Impedance 75Ω
    Nominal Output +4dBu = 0dB meter reading
    Maximum Output Level +22dBu
    Residual Output Noise -90dBu (muted, 20Hz-20kHz)
    AES Digital Output Balanced XLR 2 channel,
    96kHz sampling rate (Default with SRC Bypassed)
    Switchable output sample rates,44.1kHz/ 48kHz/ 88.2kHz/ (96kHz)
    2.5Vpp balanced terminated 110G
    SLink Connection Neutrik EtherCON (RJ45)
    dsnake mode (48kHz devices) 40 input 20+40(ME) output channels
    dx mode (96kHz devices) 32 input 32 output channels
    gigaACE/GX (96kHz devices) 128 input 128 output channels
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC Assignable as master audio sync for all modes, SRC 64 channel
    I/O Port Multi-channel I/O option module
    Inputs Fully Patchable
    Outputs Fully Patchable
    Sync/SRC Assignable as master audio sync
    System Measured balanced XLR in to XLR out, 0dB gain, 0dBu input
    Dynamic Range 112 dB
    Frequency Response +0/-0.5dB 20Hz to 20kHz
    Headroom +18dB
    Internal operating Level 0dBu
    THD+N, Mic/Line routed to Main L/R Out Unity gain faders@0dB, 0.006%, -84dBu (20 - 20kHz)
    dBFS Alignment +18dBu = 0dBFS (+22dBu at XLR output)
    Meter Calibration 0dB meter = -18dBFS (+4dBu at XLR out)
    Main Meter Type 2 x 12 segment, fast (peak) response
    Channel Meter Type Chromatic Channel Metering, fully programmable colour/brightness
    Peak Indication -3dBFS (+19dBu at XLR out), multi-point sensing
    Sampling Rate 96kHz
    Bit Depth Uses XCVI core custom bit widths in algorithms, up to 96bits
    Latency 0.7mS, Local Mic Input to Main L/R
    Operating Temperature Range 0 deg C to 40 deg C (32 deg F to 104 deg F)
    Mains Power 100-240V AC, 50/60Hz
    Max Power Consumption SQ-5/SQ-6/SQ-7 75W / 90W / 110W

    Control Faders 100mm motorised
    Touch Screen 7" Capacitive, 800 x 480 resolution, 24 bit RGB
    SoftKeys 8 (SQ-5), 16 (SQ-6, SQ-7)
    SoftRotarys 4 (SQ-6), 8 (SQ-7)
    Mute Groups / DCA Groups 8 / 8
    Network TCP/IP Ethernet for MIDI and Control
    MIDI TCP/IP and USB-B
    Footswitch Single or Dual, Momentary or Latching
    Input Source
    Processing CH1-48 Fully patchable
    USB Global Source SQ-Drive or USB B Streaming

    Polarity Normal/Invert
    Trim -24 to +24dB
    High Pass Filter 12/18/24dB per octave 20Hz – 2kHz
    Insert (Pre EQ/Comp) Fully Patchable
    Delay Up to 341ms

    Gate Patchable Sidechain
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k)
    Threshold / Depth -72dBu to +18dBu / 0 to 60dB
    Attack / Hold / Release 50µs to 300ms / 10ms to 5s / 10ms to 1s
    PEQ 4-Band fully parametric, 20-20kHz, +/-15dB
    Band 1, Band 4 Selectable Shelving (Baxandall), Bell, HPF/LPF 12dB/octave
    Band 2, Band 3 Bell
    Bell Width Variable Q, 1.5 to 1/9th octave

    Compressor Patchable Sidechain, DEEP options
    Sidechain filter Hi-pass (20-5k), band-pass (120-10k), Lo-pass (120-20k), Q=1
    Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity
    Attack / Release 30µs to 300ms / 50ms to 2s
    Knee Soft/Hard
    Detector response Peak/RMS switchable
    Parallel Path Compression dry/wet -infin to 0dB

    Channel Direct Out Follow Fader, Mute, Mute Group, DCA (global all ch)
    Source select Post-Preamp, Post-HPF, Post-Gate, Insert Return,
    Post-PEQ, Post-Comp, Post-Delay
    trim -infin to 10dB per channel
    Mix Insert (Pre EQ/Comp) Fully Patchable
    Processing Delay Up to 682ms
    GEQ 28 bands 31Hz-16kHz, +/-12dB Gain, Constant 1/3 oct, DEEP options
    PEQ As Input PEQ
    Compressor As Input Compressor
    FX Internal FX 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus)
    Types SMR Reverb, Stereo Tap Delay, Gated Reverb, ADT, Blue Chorus
    Symphonic Chorus, Flanger, Phaser
    8 dedicated Stereo FX returns Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ
    Audio Tools PAFL PFL or stereo in-place AFL, 0 to -24dB Trim, PAFL Delay Up to 682ms
    Talkback Dedicated input, Assignable to any mix, Gain, Pad, 48V, 12dB/oct HPF
    Signal Generator Assignable to any input or mix, Sine/White/Pink/Bandpass Noise
    RTA's 2x 31-Band 1/3 octave (Stereo) or 61-Band 1/6 octave (Mono) 20-20kHz.
    PAFL/Selected Channel or Fixed Source
    USB Audio SQ-Drive USB-A
    Stereo Record 2 channel, WAV, 96kHz, 24-bit, source fully patchable
    Stereo Playback 1/2 channel, WAV, 44.1, 48, 96kHz 16,24-bit, source fully patchable
    Multitrack Record 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable
    Multitrack Playback 1-16 channel 96kHz, 1-32 channel 48kHz, 24-bit, WAV, fully patchable

    USB Audio Streaming USB-B, Core Audio compliant, ASIO/WDM for Windows
    Send (upstream) 32 channel, 48/96kHz, 24-bit
    Return (downstream) 32 channel, 48/96kHz, 24-bit
    AMMs Configuration 2x 24ch or 1x 48ch, freely assignable
    Type Gain Sharing
    Sidechain Filter HPF / LPF 12dB/octave 20Hz – 5kHz / 120Hz - 20kHz
    Priority -15dB to +15dB per channel

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