Midas Heritage-D HD96 Digital Mixing Console Tour Pack with case

S$ 52,500.00
(S$ 52,500.00 excl GST)
Special order! Expected availability: 5+ weeks Not refundable/exchangeable
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Indicative price for the console surface only

Key Features:
  • Live performance digital control centre with up to 144 simultaneous input channels @ 96 kHz sample rate
  • 120 time-aligned and phase-coherent mix buses
  • 21" full colour TFT display screen with capacitive touch sensing
  • Advanced and multi-gesture touchscreen user interface
  • Award-winning Midas microphone preamplifiers
  • Over 600 inputs and outputs into the surface
  • Dual network bridge format converter with up to 128 bidirectional channels and asynchronous sample rate conversion
  • Touring grade road case featuring marine grade plywood, aluminium extrusions and composite density protective foam
  • 24 VCA (variable control association) and 24 POPulation groups
  • Up to 24 multi-channel digital signal processing effects engines with upto 96 effects
  • Integrated Wireless transceiver module
  • Dual ULTRANET Ports providing 32 additional digital outputs
  • 28 Midas PRO motorised 100 mm faders
  • Fully interpolated touch-sensitive controls
  • Dual redundant auto-ranging universal switch-mode power supplies
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  • Live Digital Console Control Centre with 144 Input Channels, 120 Flexible Mix Buses, 96 kHz Sample Rate, 21" Touch Screen and Touring Grade Road Case

    Heritage History
    The Heritage 3000 (H3K) was first introduced in 1999. Its famous purple colour and features made it so distinctly Midas. It soon established itself as the world wide industry standard for live sound applications. The H3K proved to be a huge winner from day one.

    The striking colour scheme wasn’t the only thing that made waves within the industry. With a new pre-amp design bettering that of the iconic XL4, large channel and aux counts plus the flexible aux switching system, it’s no wonder the H3K appeared on everyone’s spec as the console of choice.

    Living up to the reputation of the H3K is undeniably a hard task; the H3K set a new standard in live mixing.

    Naming the Heritage D after such an iconic mixing console was indeed a bold move. However, this product is bold and visionary whilst keeping the legendary sound quality and raising the bar on what a digital mixing console can achieve.

    Building on the prolific history of the H3K and PRO Series consoles, the new Heritage D now reinvents the workflow of the sound engineer. Finally, a Midas you can touch. Featuring a powerful 21” HD touch screen and formidable ultramodern Graphic User Interface (GUI) control all at your fingertips. Heritage D is a vision of the future with thought-provoking new features such as Channel AI (yes, Artificial Intelligence).

    This platform is designed for the future and will continue to grow and develop over many years with an impressive Midas team that are eager to improve and constantly add new features. Your investment in the Heritage D is safe.

    The Graviton Mk 2 Processing Engine
    At the heart of every mixing console is the most important part – Audio. Overlooked by other manufacturers, we have always put sound at the top of our priority list.

    It was hard, almost impossible, but we improved on the legendary Midas digital sound with our new 64-bit summing mix engine with increased dynamic range. Driving a Midas has never been easier.

    The key to the Midas sound is in giving ultimate flexibility while still being delay compensated. Avoiding the dreaded comb filtering effect is so very important. Many other consoles simply ignore this crucial part of the audio signal path.

     Flexi-Aux
    The Flexi Aux system gives the ability to send aux to aux for group or stem style mixing. Now you can smash a whole drum kit with parallel compression and feed it to an artists in ear mix.

    Variable Channel Phase
    The new, intuitive, easy to use Variable Phase per channel allows sound sources to be blended together seamlessly, with high or low phase changes to mix signals together in ways never achievable before.

    Tap Off Points
    New tap off points on channels have been introduced to allow signals to be sent from any point in the signal path. This gives greater flexibility for sending signals to stage before any element of processing has been performed. All this without affecting what Midas magic is needed for the main mix.

    For the first time on a Midas, post insert fader points are available plus all processing options orders can be changed by simply dragging and dropping in the order you desire.

    With Great Power Comes… More Chips
    With 18 Sharc DSPs, 14 layer boards, 5 Eighth Generation FPGAs and 2 GPU co-processors there has never been such a technologically advanced board in the world.

    True Innovation

    Channel AI™

    True Preview™

    True Audition™ Console Connected

    A true plethora of Effects with Music Tribe's unparalleled sister companies including TC Electronic we have the world’s best effects emulations. Up to 96 effects can be used to craft a beautiful sounding mix including:

    TC 6000 (VSS4)

    TC 3000 (VSS3)

    TC Electronic 2290

    HD2A

    HD670

    KT1176

    R-Comp

    KT Bus compressor

    Mteq Program EQ-HD

    M6 compressor

    HD Stressor compressor

    Ultra-Dualistic Voice Doubler

    Rack-Amp (guitar amp and cab emulation)

    Glow (harmonic mix glue)

    Rotor Motor (Leslie cabinet emulation)

    Enlightenment Bass

    XL4 EQ

    M Harmonics

    Uncl HD Distortion

    Prime Input Expander

    Wave Designer

    Midas Touch
    The first Midas full HD multitouch screen with up to 10 faders being controlled at once, unseen on a mixing console. Mixing never looked so good.

    Shout Mixer
    The Shout Mixer allows complex communication groups to be easily created and stored. 16 shout inputs (independent of the input and output channel count) can be used to create multifarious talk systems with 12 dedicated outputs. Instant recall allows you to use different settings for soundcheck and the all-important big show.

    Channel AI ™
    Never before has a console been able to listen to your source, tell you what it is, suggest Gain, EQ, Compression and Gate settings if required. All this presented in an easy user interface that lets you decide which parts of suggested settings you wish to use. Adaptive presets let you pick the style of sound you want and the Channel AI ™ does the rest. You’ll wonder how you ever lived without it.

    The development of the HD96-24 can be summed up with one phrase “We Listened”.

  • Processing
    Input processing channels
    144 flexi channels

    Output processing channels
    96 flexi aux outputs, 24 matrices, stereo bus, mono bus

    Point-to-point routing matrix
    622 x 652

    Signal processing
    64-bit floating point

    D/A converter
    24-bit, 96 kHz and 128 times oversampling

    A/D converter
    24-bit, 96 kHz and 128 times oversampling

    Sampling frequency
    96 kHz

    I/O latency (surface input to output)
    1.34 ms

    Input audio processing
    Dual-slope high and low-pass filters

    True phase filter control

    4-band parametric EQ with 3 shelf modes

    4-mode creative input compressors

    Input gates or ducker

    Insert point on/off with processing order change

    Direct output with adjustable level and processing pick of point

    Delay-compensated aux return mode on inputs

    5 x tap-off points per send

    Output audio processing
    Output 4-band parametric EQ with shelving/HP/LP options

    4-mode creative output dynamics

    Insert point on/off with processing order change

    Direct input with adjustable level and processing tap-off point

    Mixing control assistance
    12 x talk groups

    12 x mute groups

    24 x surface POPulation groups

    24 x VCA associated population groups

    Scene snapshot automation

    Connectors
    Midas microphone preamplifier
    8 x XLR balanced

    Balanced outputs
    8 x XLR balanced

    Talkback connector
    1 x XLR balanced

    Talk connector
    1 x XLR balanced

    Headphone connector
    2 x 1⁄4" TRS (stereo)

    Digital AES3 input / output (XLR)
    2 / 2

    AES50 ports (Klark Teknik SuperMAC, 100 Mbit/s)
    4

    Snake (copper)
    2 x HyperMac (192 channels of bi-directional digital audio) on Ethercon XLR

    Snake (fibre)
    2 x HyperMac (192 channels of bi-directional digital audio) on Opticon XLR

    CM1 expansion slots
    2 x slots (CM1 module for AES50, DANTE, MADI and USB)

    Ultranet
    2 x Ultranet ports (up to 16 digital outputs per port)

    Word clock IN
    BNC, accepts TTL level, 96 kHz square wave, impedance 75 Ohms

    Word clock OUT
    BNC, provides a TTL level, 96 kHz square wave

    AES3 sync IN
    1 x 3-pin XLR

    AES3 sync OUT
    1 x 3-pin XLR

    External (Ethernet) connector
    Ethercon XLR

    Monitor output
    2 x HDMI (1920 x 1080p 59.94Hz/60Hz 16:9 & 720 x 480p 59.94Hz/60Hz 16:9 supported)

    USB 3.0 type A hub
    4 x 5 V ⎓ 900 mA

    USB 3.0 type A (fader port expansion)
    4 x 5 V ⎓ 900 mA

    USB 2.0 type A (front surface data)
    1 x 5 V ⎓ 500 mA

    Diagnostics Port
    Serial port

    MIDI
    In, Out and Thru 5-pin MIDI DIN sockets

    Lamp
    2 x 12 V DC 5 W 4-pin

    IEC mains socket with power switch
    2

    Input / Output Characteristics
    Surface input impedance
    10 kΩ

    Non-clip maximum input level
    +24 dBu

    Input gain
    -22.5 dB to +65 dB

    Phantom power (switchable per input)
    +48 V

    Talk mic impedance
    5 kΩ

    Talk mic gain
    +15 dB to +60 dB

    Talk mic max level
    +6 dB

    Talkback impendance
    20 kΩ

    Talkback gain
    ∞0 to + 10 dB

    Talkback max level
    +21 dBu

    Surface output impedance
    50 Ω

    Surface output gain
    0 dB

    Surface output max level
    +21 dBu

    Dynamic range
    106 dB, 22 Hz to 22 kHz, unweighted

    Maximum voltage gain
    100 dB inputs to subgroups and masters , 106 dB inputs to aux and matrix

    Crosstalk at 1 kHz
    -100 dB physically adjacent input channels

    Crosstalk at 10 kHz
    -90 dB physically adjacent input channels

    Fader / pan cut off at 1 kHz
    -100 dB

    Fader / pan cut off at 10 kHz
    -100 dB

    Headphones output impedance
    10 Ω

    Headphones maximum output level
    +21 dBu

    Displays
    Display screen
    21" LCD high brightness 1920 x 1080 px, captive touchscreen, up to 10 simultaneous touches

    LCD info displays
    41 x full colour LCD info displays, 24 mm x 24 mm (size), 240 x 240 px

    Input meters (quantity 30)
    12 segment -35 dBu to +20 dBu

    Output meters (quantity 7)
    20 segment -36 dBu to +21 dBu

    Channel comp meters (quantity 28)
    5 segment -24 dBu to -1 dBu

    Channel gate meters (quantity 28)
    5 segment -34 dBu to -5 dBu

    Comp meter (quantity 1)
    12 segment -23 dBu to -1 dBu

    Gate meter (quantity 1)
    12 segment -34 dBu to -1 dBu

    Controls
    100 mm motorized faders
    8 + 8 + 8 + 4

    Touch-sensitive rotary controls
    66

    Custom controls
    Fully assignable rotary controls
    28 + 8

    Fully assignable backlit buttons
    28 + 8 + 12

    Headphone controls
    A and B, min to max

    Talk
    Talk gain min to max

For export (= shipments outside of Singapore) we do not charge GST. In this case, please refer to the prices excl GST.

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